This article explores how the notion of mobility resonates with visual responses to Sterne's fiction (1996-2016). With a specific focus on migration patterns of the Sterne/Tristram/Yorick triad, it is argued that artists have created, in a variety of media, a body of visual Sterneana characterised by embedded imaginary spaces and multiple interpretative frames through a fluctuating proximity with the text and the enduring ubiquity of eighteenth-century images in the form of graphic afterlives. Emblematic motifs and isolated fragments, as well as circulation in cyberspace, also raise the issue of how the word and image relationship is continuously reconfigured.

中文翻译：

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视觉风格：图形来世和无限机动感

本文探讨了流动性的概念如何与对斯特恩小说（1996-2016）的视觉反应产生共鸣。有人指出，艺术家特别关注Sterne / Tristram / Yorick三合会的迁徙模式，他们通过各种媒介创造了一个视觉Sterneana体，其特征是嵌入的虚构空间和多种解释性框架，它们通过与波动的接近而变化。文字和以图形来世的形式持久存在的18世纪图像。象征性主题和孤立的片段，以及网络空间中的流通，也引发了单词和图像关系如何不断重新配置的问题。