Since culture has been considered as a pillar of national identity, prevailing ideas for cultural industries and policies are closely linked to protectionism and anti‐globalization. However, these moves are derived from a narrow understanding of globalization. In this regard, this paper deals with this fundamental question on how to understand globalization in cultural industries with a focus on the film sector. For this research question, this paper identified inbound and outbound globalizations. Inbound globalization happens domestically with the interconnectedness among domestic and international factors whereas outbound globalization occurs overseas. These two types of globalizations can be undertaken both actively and passively depending on how to utilize (dis)advantages. Based on such an analysis, this paper argues that government policies should be set up to maximize benefits from both inbound and outbound globalizations in order to enhance the international competitiveness of the film industry while strengthening its industrial base.

中文翻译：

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国际电影业的入境和出境全球化

由于文化被视为国家认同的支柱，文化产业和政策的流行思想与保护主义和反全球化密切相关。然而，这些举措源于对全球化的狭隘理解。在这方面，本文讨论了如何理解文化产业全球化的基本问题，重点是电影部门。对于这个研究问题，本文确定了入境和出境全球化。入境全球化发生在国内，国际因素相互关联，而出境全球化发生在海外。这两种类型的全球化可以根据如何利用（不利）优势而主动和被动地进行。基于这样的分析，