This essay examines from an artist-researcher perspective the durational solo dance work Likely Terpsichore? (Fragments), created for and performed at the Ashmolean Museum of Art and Archaeology (UK) in 2018. It asks how dance's presence in the archaeological museum might allow an alternative visibility for ancient female bodies previously rendered only partially visible by history. It makes a claim for dance in the archaeological museum as a subversive act of radical archaeology, in terms of how, by playing on notions of dismembering/remembering histories, it seeks to disrupt received notions of how we view and understand ancient history and culture.

中文翻译：

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作为激进考古学的舞蹈

本文从艺术家-研究人员的角度审视了持续性独舞作品可能是Terpsichore？（片段），于 2018 年在阿什莫尔艺术与考古博物馆（英国）创作和表演。它询问舞蹈在考古博物馆中的存在如何可能为古代女性身体提供另一种可见性，这些身体以前仅被历史呈现为部分可见。它声称考古博物馆中的舞蹈是激进考古学的颠覆性行为，就如何通过肢解/记忆历史的概念而言，它试图破坏我们如何看待和理解古代历史和文化的既定观念。