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Capturing the gaze in film: Feminist critiques of Jewish and Islamic orthodoxy in Israel and Iran
Critical Research on Religion Pub Date : 2018-07-24 , DOI: 10.1177/2050303218774887
Yael Shenker 1
Affiliation  

This article addresses issues of body and sexuality exposed by documentary films about orthodox Jewish women in Israel and traditional Islamic women in Iran, directed by Anat Yuta Zuria and Ziba Mir-Hosseini (with Kim Longinotto), respectively. These two groups of religious women are faced with some similar circumstances. The directors of these films use their cameras to expose not only the male gaze, but sometimes they also turn their cameras back on the men who perpetuate and benefit from religious legal systems that subjugate these women. The camera thus is not merely a documentary tool but also a political tool revealing what is hidden in the inner sanctum and redeeming it from the “private sphere.” This comparison highlights the potential of Jewish feminism in Israel; it challenges it to work in alliance with Islamic women who live either as citizens in Israel or as non-citizens in the occupied territories.

中文翻译:

捕捉电影中的凝视:女权主义对以色列和伊朗的犹太和伊斯兰正统观念的批判

本文讨论了分别由 Anat Yuta Zuria 和 Ziba Mir-Hosseini(与 Kim Longinotto)执导的关于以色列正统犹太妇女和伊朗传统伊斯兰妇女的纪录片所暴露的身体和性问题。这两组宗教女性面临着一些相似的情况。这些电影的导演不仅使用他们的相机来曝光男性的目光,而且有时他们还会将相机转回男性身上,这些男性从压制这些女性的宗教法律体系中受益。因此,相机不仅是一种纪实工具,也是一种政治工具,揭示隐藏在内部密室中的东西,并将其从“私人领域”中拯救出来。这种比较突出了以色列犹太女权主义的潜力;
更新日期:2018-07-24
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