Abstract:Performing Shakespeare and Tang Xianzu is a vehicle for innovation for Shen Yili, Zhang Jun, Luo Chenxue, and their fellow actors at the Shanghai Kunqu Theatre (SKT). As my case studies of The Story of Bloody Hands (a 1986 adaptation of Macbeth), Zhang's reinterpretation of Tang's Four Dreams, and the SKT's role in the quatercentenary celebrations for Shakespeare and Tang, reveal, these encounters led the artists to re-examine what was previously construed to be the quintessential quality of kunqu.

中文翻译：

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让唐显祖和莎士比亚参与自我探索

摘要：表演莎士比亚和汤显祖是上海昆曲剧院（SKT）沉以丽、张军、罗晨雪和他们的演员们创新的载体。正如我对《血手的故事》（1986 年改编自麦克白）、张对唐的四个梦想的重新诠释以及 SKT 在莎士比亚和唐的 400 周年庆典中的作用所揭示的那样，这些相遇让艺术家们重新审视了以前被认为是昆曲的典型品质。