This paper gives a brief sketch of György Márkus’s philosophical style as manifest in the context of his role within the revival of Hegelian philosophy in Sydney in the last decades of the 20th century. Written from the perspective of one of his students, this style is sharpened by the contrast with that of another philosopher who was influential in the Hegel revival around that time, Richard Rorty. It is suggested that the stark antithesis between Márkusian and Rortarian philosophical and interpretative styles reflects tensions within Hegel’s own attitude to what it might mean to reanimate a philosophy from the past within a radically changed cultural context.

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作为拔河中的绳索：马库斯和罗蒂作为 70 年代、80 年代和 90 年代黑格尔的读者

本文简要概述了吉尔吉·马尔库斯 (György Márkus) 的哲学风格，这体现在他在 20 世纪最后几十年悉尼黑格尔哲学复兴中所扮演的角色。从他的一个学生的角度写的，这种风格与当时另一位对黑格尔复兴有影响的哲学家理查德·罗蒂的风格形成鲜明对比。有人认为，马尔库斯式和罗尔塔式哲学和解释风格之间的鲜明对立反映了黑格尔自己对在彻底改变的文化背景下重振过去哲学可能意味着什么的态度中的紧张关系。