Abstract:In this paper, I analyze Chanoc (1959–1981), a weekly booklet in color of thirty-two pages, and one of the most read and consumed comics during the now cataloged "silver epoch" of Mexican comics. Entering the world of football comics, Chanoc begins to narrate through parody and picaresque, and the themes begin to diversify in front of the language that at the same time is produced by the written press, radio, and Mexican television. Chanoc explores the contemporary tensions of football and does so with special emphasis on the media and the market. With all these changes and subtle frameworks of Chanoc, in this work 1) I investigate the brief history of Chanoc and its contact with soccer; 2) I propose the beginning of the "football imagination" on Mexican television; and 3) I explore how Chanoc narrates the tensions and fertilizations that arise between the media and football under the mocking and parody tone of a contemporary commentator of the comic, Ángel Fernández.

中文翻译：

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Chanoc：Caricaturizando los medios y el futbol

摘要：在本文中，我分析了Chanoc（1959–1981年），这本每周出版三十二册的彩色小册子，并且是现在分类为墨西哥漫画的“银器时代”期间阅读次数最多和使用最多的漫画之一。进入足球漫画世界，Chanoc开始通过模仿和怪诞的方式进行叙事，并且主题开始在同时由书面媒体，广播和墨西哥电视台制作的语言面前多样化。恰诺克（Chanoc）探索当代足球的张力，并特别着重于媒体和市场。有了Chanoc的所有这些变化和微妙的框架，在这项工作中：1）我研究了Chanoc的简要历史及其与足球的联系；2）我建议在墨西哥电视台开始“足球想象力”；