This article focuses on the writings of the lonely, orphaned poet Janābāī, a popular figure believed to have lived in fourteenth-century Maharashtra. By studying the oral tradition of grind-mill songs with which Janābāī is associated as a neglected field of bhakti composition, this article seeks to recuperate the elements of absence, exile, and dislocation central to the devotional lives and experience of bhakti poets, especially those like Janābāī who were and continue to be marginalized by gender and caste. Examining the ubiquitous way in which worship, divinity, and writing are figured as feminine in Maharashtrian bhakti as a whole, this article excavates the ways women’s oral traditions helped to shape Marathi literary and devotional ideals and deepen bhakti’s “theology of embodiment” into a poetics of exile and belonging.

中文翻译：

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巴克提的母女：马拉地语文学中的贾纳巴伊

本文重点介绍孤独的孤儿诗人 Janābāī 的作品，Janabāī 是一位据信生活在 14 世纪马哈拉施特拉邦的受欢迎人物。通过研究与 Janābāī 相关的磨坊歌曲的口头传统，作为一个被忽视的奉爱创作领域，本文试图恢复对奉爱诗人的灵修生活和体验至关重要的缺席、流放和错位元素，尤其是那些就像 Janābāī 一样，他们曾经并将继续被性别和种姓边缘化。本文考察了在整个马哈拉施特拉邦奉爱中普遍存在的崇拜、神性和写作被描绘为女性的方式，本文挖掘了女性的口头传统如何帮助塑造了马拉地文学和虔诚的理想，并将巴克提的“具身神学”深化为一种诗学流放和归属。