group’s Ukrainian background, or are they common to other representatives of the avant-garde movement? This said, while the title of this essay collection (AvantGarde Art in Ukraine) is unambiguous, the frequent use of ‘the Ukrainian avantgarde’ throughout raises some controversy. Instead of distinct national categories and pure national inspirations, the analysis of those artists’ biographies suggests multiple loyalties, and, one can say, multiple non-conflicting identities.

中文翻译：

---

Anton van der Lem，荷兰起义：八十年战争，1568-1648 年

团体的乌克兰背景，还是前卫运动的其他代表所共有的？这就是说，虽然这本散文集的标题（乌克兰前卫艺术）是明确的，但自始至终频繁使用“乌克兰前卫”引起了一些争议。对这些艺术家传记的分析表明，与其说是不同的民族类别和纯粹的民族灵感，不如说是多重忠诚，可以说是多重不冲突的身份。