This article is a textual analysis initiating the examination of twelve album covers in relation to Lebanon. The covers are examined through the trans-contextualization of diverse and eclectic fusions. Such covers create complex narratives echoing band identities while, parody enabled continuum, yet critique detachment. Though the album covers form a commentary related to histories, they do not merely retell histories. Rather, the use of trans-contextualization gives various aspects of designed concepts added layers of meaning in contemporary contexts. The covers create new and autonomous forms through parody relevant to Lebanon and the region. They also provide methodologies for future designers.

中文翻译：

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黎巴嫩专辑封面的模仿和情境化

这篇文章是一个文本分析，开始检查与黎巴嫩有关的十二张专辑封面。通过多样化和折衷融合的跨语境化来检查封面。这样的封面创造了与乐队身份相呼应的复杂叙事，而模仿使连续体成为可能，但批判性超然。虽然专辑封面形成了与历史相关的评论，但它们不仅仅是复述历史。相反，跨语境化的使用为设计概念的各个方面在当代语境中增加了多层含义。封面通过与黎巴嫩和该地区相关的模仿创造了新的自主形式。他们还为未来的设计师提供了方法论。