Hélio Oiticica's “The Senses Pointing Towards a New Transformation” was written between June 18 and June 25, 1969, in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art, one that the artist held to be necessary in light of the impasse reached by the longstanding conflict between formalist art and its various neo-avant-garde negations (both within the Brazilian and the international neo-avant-gardes). For Oiticica, after both Neoconcretism and Minimalism, it was now the process of art making itself that had to be rethought. Oiticica did so by developing what he called “crebehavior,” a practice that revealed the routinized character of everyday life and proposed an immanent transformation of the same via a change in everyday behavioral patterns. Such a transformation opened up the possibility of bringing about “creleisure,” a condition that Oiticica understood to involve both the realization and the dissolution of art.

中文翻译：

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指向新转型的感官

HélioOiticica的“指向新转型的感官”写于1969年6月18日至25日在伦敦，并提交给英国艺术杂志Studio International，但从未出版过。这篇文章在客观性之后就艺术进行了谈判，并将奥蒂蒂卡的项目具体化，以实现反艺术的彻底激进，鉴于形式主义艺术与其新先锋主义的长期冲突之间的僵局，艺术家认为这是必要的。 （在巴西和国际新先锋派内部）。对Oiticica而言，在经历了新保守主义和极简主义之后，现在必须重新考虑艺术制作的过程。Oiticica通过开发他所谓的“ crebehavior，这种做法揭示了日常生活的常规特征，并通过改变日常行为方式提出了内在的转变。这种转变开辟了实现“开玩笑”的可能性，这是Oiticica理解为既涉及艺术的实现又涉及艺术消散的条件。