Abstract The oft-mentioned turn in French poetry in the 1990s coincided with the rediscovery of the practical use of discourse and its transferability across media, a trait that Jean-Marie Gleize described as littéralité. Gleize cites Nathalie Quintane as one of the emerging poets of the 1990s who epitomizes this trend insofar as she effects a severe reduction of the figural and develops a form of writing that is so direct, so devoid of depth, that the reader finds it disconcerting in its simplicity. Quintane dwells on details whose presence is so remarkably unremarkable that it overturns, by its opacity, the process of image production and myth building that has become one of the constants of postindustrial society. Quintane’s prose, which she subjects to a process of “dumbing down” (nunuchérie), is analyzed from the standpoint of what we call discursive reframing, that is, the alteration of the relation between a statement and its framing discourses.

中文翻译：

---

Nathalie Quintane作品中的文学性和话语重构

摘要 1990 年代法国诗歌经常被提及的转变恰逢重新发现话语的实际用途及其跨媒体的可转移性，让-玛丽·格莱兹将这一特征描述为 littéralité。Gleize 引用 Nathalie Quintane 作为 1990 年代的新兴诗人之一，她是这一趋势的缩影，因为她严重减少了人物形象并发展了一种如此直接、如此缺乏深度的写作形式，以至于读者发现它在它的简单。Quintane 专注于细节，这些细节的存在非常不起眼，以至于它的不透明性颠覆了已经成为后工业社会常态之一的图像生产和神话构建过程。Quintane 的散文，她经历了一个“愚蠢”（nunuchérie）的过程，