ABSTRACT The author reviews her understanding of the term ‘worksite of democracy’, its origins in Etienne Balibar’s work, and its application to the present context of performance. She sums up the efforts of the special issue and points the way to future deployment of the concept for performance studies.

中文翻译：

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结语

摘要 作者回顾了她对“民主工地”一词的理解、它在 Etienne Balibar 作品中的起源以及它在当前表演环境中的应用。她总结了特刊的努力，并指出了未来部署绩效研究概念的方法。