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The birth of a Soviet ‘fourth cinema’ on prime time television: Iurii Rytkheu and The Most Beautiful Ships
Studies in Russian and Soviet Cinema Pub Date : 2020-01-02 , DOI: 10.1080/17503132.2020.1711607
Caroline Damiens 1
Affiliation  

ABSTRACT Based on a case study of the television film The Most Beautiful Ships (Samye krasivye korabli, 1972), directed by Anatolii Nitochkin and scripted by Chukchi writer Iurii Rytkheu, this article investigates the possibility of a ‘fourth cinema’, the cinema of indigenous peoples, in the Soviet Union under Leonid Brezhnev (1964–1982). It examines the history of this particular film through a threefold approach that combines the film’s genesis with an aesthetic analysis and reception study. The article aims to find a place for television films in the history of cinema, and to extend the map, still under construction, of a ‘fourth cinema’ by advocating the inclusion of the USSR in its scope.

中文翻译:

黄金时段电视上的苏联“第四部电影”的诞生:Iurii Rytkheu 和最美丽的船只

摘要 基于对由 Anatolii Nitochkin 导演、楚科奇作家 Iurii Rytkheu 编剧的电视电影《最美丽的船只》(Samye krasivye korabli,1972 年)的案例研究,本文探讨了“第四部电影”的可能性,即土著电影列昂尼德·勃列日涅夫 (1964–1982) 领导下的苏联。它通过将电影的起源与美学分析和接受研究相结合的三重方法来审视这部电影的历史。这篇文章旨在为电视电影在电影史上找到一席之地,并通过倡导将苏联纳入其范围来扩展仍在建设中的“第四家电影院”的地图。
更新日期:2020-01-02
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