ABSTRACT The identity-building process of exiled republican writers moves in a field of tension between Spain and the host country. The self-image Rosa Chacel crafted in the short essays published during her Argentinian exile (1940–1959) and collected in the volume La lectura es secreto (1989) exemplifies that tension. On the one hand, there is a strong sense of identification with Ortega y Gasset’s generation and with the Spanish past. On the other, the scene from where the essays are enunciated is situated in the Argentinian context of the present: based on the reading experiences of the day in Argentina, a dialogic relationship with the Argentinian public is created. Contrary to what the title of the collection La literatura es secreto suggests — a reference to the solitary character of reading — the dialogic dimension of reading is reflected in the essays and becomes the mechanism through which Chacel rebuilds — between the Spain of the past and the Argentina of the present — her exiled self.

中文翻译：

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La Construcción del yo en el Exilio: El público argentino de Rosa Chacel

摘要 流亡共和作家的身份建立过程在西班牙和东道国之间的紧张局势中进行。Rosa Chacel 在阿根廷流亡期间（1940-1959 年）发表的短篇文章中精心制作的自我形象，并收录在《秘密演讲》（1989 年）一书中，体现了这种张力。一方面，人们对 Ortega y Gasset 一代和西班牙过去有着强烈的认同感。另一方面，散文发表的场景位于阿根廷当下的语境中：基于阿根廷当天的阅读体验，与阿根廷公众建立了对话关系。