ABSTRACT

Taking the publications of T’ou-Se-We Press as its main historical materials and adopting the method of media archeology, this paper investigates the manufacture and films of the projector at T’ou-Se-We Orphan Arts and Crafts Institute, Shanghai (1864–1960) in relation to the technology and content of the media. The T’ou-Se-We projector was created using calcium carbide technology. The films generally concerned missions and took social themes into account. They developed concepts of private customization and copyright considerations in relation to sales. The instrumental convenience allowed by the T’ou-Se-We projectors went beyond promoting Catholic missionary activities in Shanghai during the 1930s. The projectors also played a role in the state’s policy of film education and in cultivating visual literacy to enhance sensory experience among the public during the Republic of China.

摘要

【摘要】：以头色为出版社的出版物为主要史料,采用媒体考古学的方法,对上海头色为孤儿工艺美术学院放映机的制作和拍摄进行了考察。 （1864-1960）与媒体的技术和内容有关。T'ou-Se-We 投影仪是使用碳化钙技术制造的。这些电影通常关注使命并考虑到社会主题。他们开发了与销售相关的私人定制和版权考虑的概念。T'ou-Se-We 投影仪所带来的便利不仅仅是在 1930 年代促进上海的天主教传教活动。