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An ecocritical approach to documentary interactivity: spatial technologies in a film studies frame
Studies in Documentary Film Pub Date : 2018-07-30 , DOI: 10.1080/17503280.2018.1498622 Belinda Smaill 1
Studies in Documentary Film Pub Date : 2018-07-30 , DOI: 10.1080/17503280.2018.1498622 Belinda Smaill 1
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ABSTRACT This essay examines two forms of data visualization freely available on the web, shark tracking technology and, to a lesser extent, projections of sea level rise. Through a discussion of two websites—the Ocearch Global Shark Tracker and Climate Central’s Surging Seas interface—I explore how, as manifestations of visual media, these websites might contribute to a documentary studies paradigm, and interactive documentary in particular. This essay is concerned with not only the contours and limits of documentary studies but also with how we perceive and engage with the nonhuman environment. Together, the two websites provide an avenue through which to evolve the ecocritical capacities of documentary studies to critique the media forms that shape our experience. This essay elaborates an ecocritical approach to these examples by understanding how they are integrally concerned with the performance and politics of not only space but also time.
中文翻译:
文献互动的生态批评方法:电影研究框架中的空间技术
摘要本文研究了两种可在网上免费获得的数据可视化形式,即鲨鱼跟踪技术,以及较小程度的海平面上升预测。通过对两个网站的讨论(Ocearch全球鲨鱼追踪器和Climate Central的汹涌海洋界面),我探索了作为视觉媒体表现形式的这些网站如何有助于文献研究范式,尤其是交互式纪录片。本文不仅涉及文献研究的轮廓和局限性,还涉及我们如何看待非人类环境并与之互动。这两个网站共同提供了一条途径,通过该途径可以发展文献研究的生态批判能力,以批评塑造我们经验的媒体形式。
更新日期:2018-07-30
中文翻译:
文献互动的生态批评方法:电影研究框架中的空间技术
摘要本文研究了两种可在网上免费获得的数据可视化形式,即鲨鱼跟踪技术,以及较小程度的海平面上升预测。通过对两个网站的讨论(Ocearch全球鲨鱼追踪器和Climate Central的汹涌海洋界面),我探索了作为视觉媒体表现形式的这些网站如何有助于文献研究范式,尤其是交互式纪录片。本文不仅涉及文献研究的轮廓和局限性,还涉及我们如何看待非人类环境并与之互动。这两个网站共同提供了一条途径,通过该途径可以发展文献研究的生态批判能力,以批评塑造我们经验的媒体形式。