ABSTRACT This is the first of a series of two articles written as an investigation of the Opera-Dramatic Studio (1935–1938) unpublished files, held at the Moscow Art Theatre Museum, between November 2017 and February 2018. In it, I try to present an analysis of some new aspects of Stanislavski’s preparation of the Studio’s faculty and his practice with the pupils. After a short introduction to the research, I present, in this firt part, the period of the faculty’s preparation (Jun-Oct 1935). Subsequently, in the second part, I will present the training work conducted with the pupils (Nov-Dec 1935), and an analysis of three aspects of Stanislavski’s practice during his last years: the étude, the physical actions and the subconscious moment. These, as I argue functioned as a triple basic-training structure used in the preparation for the future work on the play and the role. To finish, I present a short conclusion on the analysed material.

中文翻译：

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在歌剧戏剧工作室接近斯坦尼斯拉夫斯基的作品。第1部分。

摘要 这是两篇系列文章中的第一篇，旨在调查 2017 年 11 月至 2018 年 2 月期间在莫斯科艺术剧院博物馆举行的 Opera-Dramatic Studio（1935-1938）未公开文件。在其中，我试图分析斯坦尼斯拉夫斯基对工作室教师的准备和他与学生的实践的一些新方面。在简要介绍了研究之后，我在第一部分介绍了教师的准备时期（1935 年 6 月至 10 月）。随后，在第二部分，我将介绍与学生一起进行的训练工作（1935 年 11 月至 12 月），并对斯坦尼斯拉夫斯基晚年实践的三个方面进行分析：练习曲、身体动作和潜意识时刻。这些，正如我认为的那样，它起到了三重基础训练结构的作用，用于为未来的戏剧和角色工作做准备。最后，我对所分析的材料提出一个简短的结论。