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Emotion memory: “A dangerous reputation”
Stanislavski Studies Pub Date : 2019-12-23 , DOI: 10.1080/09603123.2019.1708619 Eric Hetzler
Stanislavski Studies Pub Date : 2019-12-23 , DOI: 10.1080/09603123.2019.1708619 Eric Hetzler
ABSTRACT In October of 2018, Backstage published an article by Alex Yates called “The Definitive Guide to the Stanislavski Acting Technique”. This was a very cursory and superficial description of his life and some of his ideas. It was certainly in no way “definitive”. In fact, it perpetuated some common misconceptions about his work. For instance, it says he merely “dabbled in the performing arts as an amateur actor, opera singer, producer, and director”, with no mention of the Moscow Art Theatre and the years he spent there. However, as the author talks of the merging of the System of Stanislavski with the Method of Strasberg, he notes that emotion memory has a “dangerous reputation” and that “Some high-profile actors have merged their personal lives with that of their characters’ lives in psychologically unhealthy ways”. In this paper, I aim to trace the lineage of this notion of the danger inherent in studying Stanislavski and attempt to find actual evidence.
中文翻译:
情绪记忆:“危险的名声”
摘要 2018 年 10 月,Backstage 发表了 Alex Yates 的一篇文章,名为《斯坦尼斯拉夫斯基表演技巧权威指南》。这是对他的生活和他的一些想法的非常粗略和肤浅的描述。这当然不是“决定性的”。事实上,它延续了对他的工作的一些常见误解。例如,它说他只是“以业余演员、歌剧歌手、制片人和导演的身份涉足表演艺术”,而没有提到莫斯科艺术剧院和他在那里度过的岁月。然而,当作者谈到斯坦尼斯拉夫斯基系统与斯特拉斯伯格方法的合并时,他指出情绪记忆具有“危险的名声”,并且“一些知名演员将他们的个人生活与角色的个人生活融合在一起”。以不健康的心理方式生活”。在本文中,
更新日期:2019-12-23
中文翻译:
情绪记忆:“危险的名声”
摘要 2018 年 10 月,Backstage 发表了 Alex Yates 的一篇文章,名为《斯坦尼斯拉夫斯基表演技巧权威指南》。这是对他的生活和他的一些想法的非常粗略和肤浅的描述。这当然不是“决定性的”。事实上,它延续了对他的工作的一些常见误解。例如,它说他只是“以业余演员、歌剧歌手、制片人和导演的身份涉足表演艺术”,而没有提到莫斯科艺术剧院和他在那里度过的岁月。然而,当作者谈到斯坦尼斯拉夫斯基系统与斯特拉斯伯格方法的合并时,他指出情绪记忆具有“危险的名声”,并且“一些知名演员将他们的个人生活与角色的个人生活融合在一起”。以不健康的心理方式生活”。在本文中,