ABSTRACT Although the title “Building a Character”, may not have been coined by Stanislavski himself, certainly, the idea of construction may be linked to his work. His system may be viewed in terms of a giant artistic edifice that is still alive today. This essay will therefore establish links between Stanislavski’s vision of theatre, as expressed mainly through his writings, and architecture, focusing mainly on the writings of three contemporary architects, the Swiss-French Bernard Tschumi, the Finnish Juhani Pallasmaa and the Maltese Richard England. The choice of these three architects is due to the fact that each of them has questioned prevailing practice and has searched for paths that focus on the here-and-now spatial experience of the body in movement. Stanislavski’s idea of the truth of experiencing can be linked to the importance given in architecture to the “experiencing” of space by its users. The common element of experiencing therefore, will serve as a guide to trace the idea of truth, verisimilitude and mimesis in theatre and in his work.

中文翻译：

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斯坦尼斯拉夫斯基的系统：模仿、真实和拟真

摘要 虽然“塑造人物”这个标题可能不是斯坦尼斯拉夫斯基自己创造的，但当然，建造的想法可能与他的作品有关。他的系统可以被视为今天仍然存在的巨大艺术大厦。因此，本文将在斯坦尼斯拉夫斯基的戏剧愿景（主要通过他的作品表达）与建筑之间建立联系，建筑主要关注三位当代建筑师的作品，瑞士-法国的伯纳德·屈米、芬兰的尤哈尼·帕拉斯玛和马耳他的理查德·英格兰。选择这三位建筑师是因为他们每个人都对流行的实践提出了质疑，并寻找了专注于运动中的身体此时此地的空间体验的路径。斯坦尼斯拉夫斯基关于体验真相的想法可以与建筑中对使用者对空间“体验”的重视联系起来。因此，体验的共同元素将成为在戏剧和他的作品中追溯真实、逼真和模仿的指南。