ABSTRACT Debora Vogel (1900–1942) helped develop modernism in Lviv in the interwar period. As a philosopher and writer, she was able to make connections between the dominant Polish school of philosophical logic (the so-called Lviv-Warsaw School) and the artistic circles in Lviv, to which Bruno Schulz, Stanisław Ignacy Witkiewicz and Leon Chwistek belonged. Inspired by Cubism and Surrealism, but also by recent philosophical discussions, Vogel developed a writing technique called montage. In her poems and prose written in Yiddish and Polish, she reflected on the relationship between humans and modern urban architecture, playing with mathematical or geometric words and color predicates. At the same time she abandoned traditional narrative models with her style of writing. In view of the above, this article presents Vogel's experimental writing practices and aesthetics concepts by locating her work in Lviv's culture of knowledge.

中文翻译：

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在哲学与艺术之间：Debora Vogel 的前卫作品

摘要 Debora Vogel (1900–1942) 在两次世界大战期间帮助利沃夫发展了现代主义。作为一名哲学家和作家，她能够将占主导地位的波兰哲学逻辑学派（所谓的利沃夫华沙学派）与布鲁诺·舒尔茨、斯坦尼斯瓦夫·伊格纳西·维特凯维奇和莱昂·奇维斯特克所属的利沃夫艺术界建立联系。受立体主义和超现实主义的启发，以及最近的哲学讨论，沃格尔开发了一种称为蒙太奇的写作技巧。在她用意第绪语和波兰语写成的诗歌和散文中，她思考了人类与现代城市建筑之间的关系，玩弄数学或几何词和色彩谓词。与此同时，她的写作风格摒弃了传统的叙事模式。鉴于上述情况，本文介绍了 Vogel'