Our current paradigm of sixteenth-century French vernacular discourse can be epitomized on the one hand by the classically inspired poetics of translatio propounded by the Pléiade, and on the other, by the scholarly efforts to establish a noble genealogy for the French language by writers such as the printer and Hellenist Henri Estienne. This picture, however, merely constitutes one of several sixteenth-century narratives regarding the French vernacular. Claude Fauchet’s Recueil de l’origine de la langue et poesie françoise (1581) provides evidence of a lively and appreciative interest in medieval French poetry among a group of Parisian jurist-humanists whose valorization of medieval French textual and material culture was developed in direct opposition to the dominant tenor of contemporary vernacular discourse which sought to break away from France’s medieval past. Fauchet in particular is notable for his seminal contribution to French literary history, his keen awareness of the role of vernaculars in history, and his sensitivity towards the material aspects of France’s native past.

中文翻译：

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法国文艺复兴时期的语言和物质反文化主义：克劳德·福谢特（Claude Fauchet）的《语言和语言的回忆》（1581）

我们当前的十六世纪法国话语范式可以一方面通过by宿主义提出的经典启发性翻译诗学来体现，另一方面可以通过学者的努力为诸如此类的作家建立一种法语的贵族谱作为印刷商和希腊作家Henri Estienne。然而，这张照片仅构成了有关法国本土语言的16世纪的几种叙事之一。克劳德·福谢特（Claude Fauchet）的《语言起源与历史》（1581）提供了证据，证明了一群巴黎法学家-人文主义者对中世纪法国诗歌产生了浓厚的兴趣，他们对中世纪法国文本和物质文化的重视是在直接对立下发展起​​来的试图摆脱法国中世纪的过去，成为当代白话语的主要主题。福克斯尤其以其对法国文学史的开创性贡献，对白话语在历史中的作用的敏锐意识以及对法国本土历史的物质敏感性的敏锐度而著称。