This article draws a distinction between implicit and explicit forms of violence in Sade's work. It employs Barthes's concept of the neutral to demonstrate that implicit violence is a more creative and nuanced way for Sade to force his readers to bend to his will. This technique relies on the concept of Sadian politeness as a kind of bienséance, in keeping with ideas of eighteenth-century doxa. Sade delineates the parameters of acceptable discourse in libertinage, and takes offence when these are crossed. The article goes on to argue that Sade's displays of explicit violence are defunct and impotent rhetorical devices which do not render credible his revolutionary credentials. Both the implicit and explicit forms of violence in his work thus show Sade to be, simply, a bon élève of the Enlightenment.*

中文翻译：

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礼貌的暴力行为：Sadian宇宙中的内隐Bienséance

本文在Sade的作品中将隐性暴力与显性暴力区别开来。它采用了巴特斯（Barthes）的中立概念，以证明隐性暴力是萨德（Sade）迫使读者屈服于自己意愿的一种更具创造性和细微差别的方式。该技术依赖于Sadian礼貌的概念，作为一种双轨现象，与18世纪doxa的思想保持一致。萨德勾勒出解放中可以接受的话语参数，并在违反这些条件时冒犯他人。文章继续论证说，萨德的暴力露骨是陈腐的，无能为力的修辞手段，不能使他的革命资格可信。因此，在他的作品中，无论是隐式还是明示的暴力形式，都表明萨德简直就是启蒙运动的福音。