This article examines the emergence and transformation of Francion’s epic character in Ronsard’s works from 1550 to 1578. This study of Francion’s genesis in Ronsard’s works relies on the close reading of the variations of the ‘Ode de la paix’ and the beginning of the Franciade, as well as on the analysis of the myth’s reception before and after 1572. In the 1550 ‘Ode de la paix’, the memory of the Virgilian intertext directly undermines the epic hero’s identity since he is presented as Hector’s only son, who in the classical tradition is named Astyanax and dies in Troy. Drawing on the problematic memory of Astyanax, the author studies how Francion’s fragile identity illustrates the complexity of the Renaissance concept of imitation and the difficulty of creating a national myth for France.

本文探讨Francion的史诗品格在龙萨的作品从1550到1578的出现和改造Francion的起源在龙萨的作品这项研究依靠的“咏de la Paix酒店”变化的近距离阅读和年初法兰西亚德，以及对1572年之前和之后神话的接受度的分析。在1550年的“颂颂”中，维吉尔式互文的记忆直接破坏了史诗英雄的身份，因为他被视为赫克托的独生子，在古典小说中传统被命名为Astyanax，死于特洛伊。作者利用Astyanax的问题​​记忆，研究了Francion脆弱的身份如何说明了文艺复兴时期模仿概念的复杂性以及为法国创造民族神话的难度。