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Wearing History
Dress Pub Date : 2019-01-02 , DOI: 10.1080/03612112.2018.1551292
Andy Campbell

Housed in a mobile library and archive, Viola Johnson’s pin sash—a leather garment onto which hundreds of metal pins and buttons have been affixed—spotlights the terms of her expansive leathersexuality. Such a sexuality, for Johnson, is predicated on a notion of service that primarily manifests in the constant upkeep, revising, archiving, and presenting of leather history, primarily through the display and interpretation of her sash and library. After detailing the genesis and social milieu of the Carter/Johnson Leather Library and the significance of pins and buttons in leatherwear more generally, this article focuses on a button reading “The L.A.P.D. FREED the Slaves April 10, 1976.” Initially made to protest the raid of a mock slave auction at the Mark IV bathhouse in Los Angeles, the button underscores the dyadic yet fungible terms of freedom and enslavement, and thus the relationships between sexual power play and non-consensual state violence.

中文翻译:

佩戴历史

维奥拉·约翰逊 (Viola Johnson) 的别针腰带 (pin sash) 被安置在一个移动图书馆和档案馆中——一件皮革服装,上面贴着数百个金属别针和纽扣——突出了她广阔的皮革性感。对约翰逊来说,这样的性感是建立在服务理念之上的,这种服务理念主要体现在皮革历史的不断维护、修改、存档和展示中,主要是通过她的腰带和图书馆的展示和解释。在详细介绍了 Carter/Johnson 皮革图书馆的起源和社会环境,以及更普遍的皮具中别针和纽扣的重要性之后,本文重点介绍了一个纽扣,上面写着“洛杉矶警察局于 1976 年 4 月 10 日释放了奴隶”。最初是为了抗议对洛杉矶马克四世浴室的模拟奴隶拍卖的突袭,
更新日期:2019-01-02
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