ABSTRACT In 1900, two spectacles of technological progress, artistic invention, and political ambition were unveiled in Paris: The universal exposition and Line 1 of the Paris Métro. This essay considers schemes for underground and elevated Métro systems that were published from 1870 to 1900 and argues that these speculative designs map new configurations of technology, urban space, and cultural identity onto fin-de-siècle Paris. Ultimately, Métro projects function as showcases of the modern city, and they draw on and participate in the promotional logic and narrative of national pride on display at the contemporary expositions.

中文翻译：

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1900年终点站：巴黎金融城和大都会博览会

摘要1900年，巴黎展示了两种技术进步，艺术发明和政治野心的奇观：万国博览会和巴黎地铁1号线。本文考虑了1870年至1900年发布的地下和高架地铁系统的方案，并认为这些投机性设计将技术，城市空间和文化特征的新配置映射到fin-de-siècle巴黎。最终，Métro项目充当现代城市的展示柜，它们借鉴并参与了在当代博览会上展示的民族自豪感的宣传逻辑和叙述。