ABSTRACT This article looks at the complex relationship between literary authors, money and the press from 1890 to 1914, a period generally considered to be the heyday of the printed press in France. This paper focuses therefore on the sociological context of journalism, publishing, and writing. Using examples from the journalistic careers of several distinctive writer-journalists (Apollinaire, Colette, Alfred Jarry, Jean Lorrain) and several newspapers and periodicals, this article shows how closely the press and literary production were intertwined. While scholarship exists on individual journalistic careers, this article aims to provide an overview of the period and considers how certain literary authors made a living from journalism. It discusses their employment as opinion makers, columnists, critics, and serial novelists, the publications they worked for, as well as their own periodicals. While often considered a simple moneymaking exercise, this article demonstrates how journalism and the press played a crucial and productive part in shaping literary careers, œuvres, and reputations during the Belle Époque.

中文翻译：

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“病重病”：1890-1914年的作家，记者和收入

摘要本文着眼于1890年至1914年间文学作家，金钱与新闻界之间的复杂关系，这一时期通常被认为是法国印刷界的鼎盛时期。因此，本文重点关注新闻，出版和写作的社会学背景。本文使用了一些杰出的新闻记者（阿波利奈尔，科莱特，阿尔弗雷德·贾里，让·洛林）以及几家报纸和期刊的新闻事业中的例子，显示了新闻和文学生产之间的紧密联系。尽管有关于个人新闻事业的奖学金，但本文旨在概述这一时期，并考虑某些文学作家如何以新闻为生。它讨论了他们作为舆论制定者，专栏作家，评论家和连环小说家的工作，他们工作的出版物以及自己的期刊。尽管通常被认为是一种简单的赚钱活动，但本文展示了新闻和媒体如何在百丽时代塑造文学事业，观念和声誉方面发挥至关重要的作用。