ABSTRACT This paper focuses on Stendhal’s Mémoires d’un touriste (1838) and its eco-conscious bourgeois traveller’s exploration of the Dauphiné. Stendhal’s account of this Alpine region presents a critical stance in which the landscape is filtered through natural history, art, and recent post-revolutionary history. His resistance to a purely aesthetic experience of nature leads to a productive social model in the local populace’s sense of a land ethic: in the Dauphiné, the narrator discovers, the inhabitants can effectively live in harmony with the natural resources that they cultivate.

中文翻译：

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斯坦达尔大区纪念旅游者的高山生态

摘要本文着重于斯坦德哈尔的《旅游大都会》（1838年）及其对资产阶级有生态意识的旅行者对多芬尼的探索。斯坦达尔（Stendhal）对这个阿尔卑斯地区的描述提出了一种至关重要的立场，即通过自然历史，艺术和最近的革命后历史过滤景观。他对纯粹的自然审美体验的抵制导致了当地民众的土地伦理意义上的生产性社会模式：叙述者发现，在多芬尼人中，居民可以有效地与他们耕种的自然资源和谐地生活。