ABSTRACT This exhibition review focuses on the quest for weaving boundaries between body-form-space-and material relationship using immersive technologies. Emerging as an architectural counterpoint, Universal Everything: Fluid Bodies exhibition held in Borusan Contemporary focuses on how we perceive the motion and form in relation to it, as well as fusing senses of kinaesthetic and synaesthetic through a data driven and motion-based visual representation. Through these algorithms, the exhibition displays how neuroarchitecture reminds us of the senses of perception. The architectural counterpoint, intention as an interaction and encounter of the body with ‘the machine’ as the ‘voyeur body’ and how this observational dialogue becomes a research methodology in understanding the nature of movement in space through digital tools.

中文翻译：

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宇宙万物：流体机构展览中的建筑对立面

摘要这次展览回顾的重点是寻求使用沉浸技术在身体，身体，空间和物质之间的关系上编织边界的方法。在Borusan Contemporary举办的Universal Everything：Fluid Bodies展览正逐渐成为一种建筑对立面，该展览的重点是我们如何感知与之相关的运动和形式，以及通过数据驱动和基于运动的视觉表示融合动感和联觉感。通过这些算法，展览展示了神经体系结构如何使我们想起感知感。建筑学上的对立，意图是与“机器”作为“窥淫癖者身体”之间的相互作用和身体的相遇，以及这种观察性对话如何成为通过数字工具理解空间运动本质的研究方法。