Abstract The traditional approach for physical reproduction in Cultural Heritage requires the production of moulds on the very surface of the original artwork in an invasive, manual and usually time-consuming process that is intensely influenced by the complexity of the piece to be reproduced. The difficulties increase when changing the size of the copy is needed. But producing replicas is a necessity, mostly when it comes to mounting exhibitions within interpretive centres. The educational role of such institutions is beyond doubt. Furthermore, they have also become major drivers of social inclusion of at-risk groups. So, having perfect copies of archaeological remains without damaging them is a challenge that technology has been facing for the last years. This paper describes a procedure to obtain exact replicas of classical statues that reduces their manipulation, thus preventing them for further damages, which was applied to two Roman marble sculptures of Medellin (Badajoz, Spain).

中文翻译：

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数字化文化遗产艺术品的复制品。寻求韧性和社会文化承诺

摘要在文化遗产中进行传统物理复制的方法要求在原始艺术品的表面上以侵入性，手动且通常耗时的过程生产模具，该过程受复制品的复杂性的影响很大。需要更改副本大小时，困难会增加。但是生产复制品是必要的，主要是在解释中心内举办展览时。这些机构的教育作用是毋庸置疑的。此外，它们也已成为高风险群体融入社会的主要动力。因此，拥有完整的考古遗迹副本而又不损坏考古遗迹是近年来技术所面临的挑战。