ed figures wearing the bright and African-influenced colorful clothing of the period, and Robert Paige’s printed fabrics. Both were emblematic of AfriCOBRA’s commitment to black aesthetics. Paige’s patterns were also sold in the Sears Catalog. On a wall, the advertisements of Emmet McBain encapsulated the aesthetic and commercial goals of designers steeped in Chicago’s 1960s politics. Exhibition Review D es ig n an d C ul tu re

中文翻译：

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现代设计：芝加哥流线型美国

ed 人物穿着那个时期明亮且受非洲影响的彩色服装，以及 Robert Paige 的印花面料。两者都象征着 AfriCOBRA 对黑人美学的承诺。佩奇的图案也在西尔斯目录中出售。在墙上，Emmet McBain 的广告概括了沉浸在芝加哥 1960 年代政治中的设计师的审美和商业目标。展览回顾设计与文化