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Ibex in context: A new insight into the meaning of the ibex depiction in the rock art of Iran based on new findings from Mount Eüji-iti in Central Western Iran
Archaeological Research in Asia Pub Date : 2020-09-01 , DOI: 10.1016/j.ara.2020.100211
Ebrahim Karimi , Mahmood Heydarian , Mahdi Alirezazadeh , Hamid Reza Ghorbani , Majid Sarikhani

Abstract A new concentration of rock art consisting of large number of petroglyphs is situated on the hillside of the Mount Euji-iti in Kirmanshah in central western Iran. According to the subject-matter, iconographic features, style, and patination of some images, it seems that a part of the petroglyphs could be made in a time-span from Bronze Ages to the Iron Ages in first millennium BCE. The paper attempts to establish a bridge between the rock art and the archaeological context of western Iran. Drawing on archaeological evidence, the paper discusses that, at least, a part of the engravings, particularly ibexes, could possibly be of sacred value to its producers.

中文翻译:

上下文中的Ibex:基于伊朗中西部Eüji-iti山的新发现,对ibex绘画在伊朗岩石艺术中含义的新见解

摘要伊朗中部吉曼莎(Kirmanshah)的Euji-iti山的山坡上,出现了一种由大量岩画构成的岩石艺术新集中地。根据某些图像的主题,图像特征,样式和拼版,似乎可以在公元前一千年的青铜时代到铁器时代的一段时间内制作一部分岩画。本文试图在岩石艺术与伊朗西部的考古环境之间架起一座桥梁。利用考古学证据,该论文讨论了至少一部分版画,特别是高地山羊,可能对其生产者具有神圣的价值。
更新日期:2020-09-01
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