Abstract In Féerie pour une autre fois II (also titled Normance), Céline recounts the chaos engendered by the Allied bombing of Paris in April 1944, which killed 1,800 people in seven days. The novel, published in 1954, was a commercial flop. Among the reasons could be a narration that almost completely disappeared, or a traditional chronology that literally imploded. The writing seems subject to delirium and presents a body in direct contact with the surrounding destructions. This article underlines the difficulty for the storyteller to render such a catastrophe. Since Céline notes that the newly-born cinema and its technique overthrew the novel, this work argues that for Céline, the novelistic writing has no choice but to evolve and beat cinema on its own ground. Céline presents himself first as the impressionist of writing. Then, adding the soundtrack to the light and movement, he finally becomes the true cinematographer of literature.

中文翻译：

---

席琳（Céline），灾难电影

摘要塞琳（Céline）在《法国大剧院二号》（Féeriepour une autre fois II，又称《 Normance》）中叙述了1944年4月巴黎盟军轰炸造成的混乱，这场混乱在7天内造成1800人死亡。这部小说于1954年出版，是一幅商业失败的小说。原因之一可能是几乎完全消失的叙述，或者是字面内敛的传统年表。该作品似乎受del妄影响，呈现出与周围破坏直接接触的尸体。本文强调了讲故事的人很难做出这样的灾难。由于塞琳（Céline）注意到新生的电影及其技术推翻了小说，因此这项工作认为，对于塞琳（Céline），小说创作别无选择，只能以自己的方式发展和击败电影。塞琳（Céline）首先提出自己是写作的印象派画家。然后，