Readers of Russian Studies in Literature may already know that Russia has one of the great world traditions in the genre of science fiction. They may also know that the word fantastika can refer both to science fiction, “nauchnaia fantastika,” and to other kinds of fantasy writing, though fantasy proper was not permitted in the Soviet period and today is usually described with a Russified form of the English, fentezi. Many readers of speculative fiction are fans of both genres, and fantastika continues to be an important part of the Russian Federation’s literary system. This issue contains eight articles on fantastika—some are substantial studies, others briefer reviews or conceptual pieces. Sergei Shickarev’s article “High Waves, Quiet Backwaters” introduces a number of new authors of fantastika, largely from the “Color Wave” of new writers who first appeared in the 2000s and 2010s. Shickarev notes both the importance of anthologies in starting the new movement and the centrality of literature as well as political subtexts in the writing. This links them in principle with such high-concept Soviet era authors as the Strugatsky brothers. Shickarev notes several important journals that publish fantastika and criticism of it. The genre has fragmented in Russia today largely because of the huge number of publications—he

中文翻译：

---

幻想曲：俄罗斯科幻小说与幻想的更新

俄国文学研究的读者可能已经知道，俄罗斯在科幻小说流派中拥有伟大的世界传统之一。他们可能还知道，幻想小说这个词既可以指科幻小说“ nauchnaia fantastika”，也可以指其他种类的幻想小说，尽管在苏联时期不允许幻想小说，而如今通常用俄语的俄语化形式来描述。 ，芬特兹。投机小说的许多读者都是这两种流派的粉丝，而幻想小说仍然是俄罗斯联邦文学体系的重要组成部分。本期包含八篇有关幻想小说的文章-一些是实质性研究，另一些是更简短的评论或概念性文章。谢尔盖·希卡列夫（Sergei Shickarev）的文章“高潮，安静的死水”介绍了幻想小说的许多新作者，很大程度上来自于2000年代和2010年代首次出现的新作家的“色彩浪潮”。希卡列夫指出，选集在启动新运动中的重要性以及文学和政治潜台词在写作中的中心地位。这在原则上将他们与诸如斯克鲁格斯基兄弟之类的高观念的苏联时代作家联系起来。希卡列夫（Shickarev）注意到一些发表幻想小说和对其进行批评的重要期刊。由于种类繁多的出版物，当今俄罗斯的音乐流派支离破碎-他 希卡列夫（Shickarev）注意到一些发表幻想小说和对其进行批评的重要期刊。由于种类繁多的出版物，当今俄罗斯的音乐流派支离破碎-他 希卡列夫（Shickarev）注意到一些发表幻想小说和对其进行批评的重要期刊。如今，这种类型在俄罗斯已经变得支离破碎，这在很大程度上是因为出版物数量庞大-他