This article begins in response to Tatiana Vaizer’s 2014 article, also translated in this issue. It traces cases of trauma and violence through recent post-Soviet Russian poetry. Lvovsky distinguishes the generation of poets who were born in the early 1970s from those who were still children or even infants in the “traumatic” late 1980s and early 1990s, and he notes the signs of trauma being transmitted in their poetry. While challenging some of Vaisner’s basis premises and assumptions, the discussion provides a rich overview of relevant work by a number of younger poets.

中文翻译：

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区分创伤

本文是针对塔蒂亚娜·瓦泽尔（Tatiana Vaizer）在2014年发表的文章而开始的，本期也对此进行了翻译。它通过最近的后苏联俄国诗歌来追踪创伤和暴力事件。洛夫斯基将1970年代初出生的诗人与1980年代末和1990年代初处于“创伤”时代仍是儿童甚至婴儿的诗人区分开来，他注意到诗歌中传递着创伤的迹象。在挑战维斯纳的一些基本前提和假设的同时，讨论提供了许多年轻诗人对相关作品的丰富概述。