Rykov’s article investigates the works of Nikolai Punin, a major figure in the Russian avant-garde and a theoretician of art and literature, in the context of the culture of late Stalinism. A central focus is Against Civilization, a work co-authored with Evgenii Poletaev that envisions a totalitarian utopia. It also explores the early 1940s literary work, Letters to M.G., and an unfinished dissertation on the nineteenth-century artist Aleksandr Ivanov. Rykov traces the evolution of Punin’s nationalist rhetoric from his early engagement in the conservative revolution in Germany to his essentialist interpretation of Russian art history. He also identifies a diverse array of discourses (ranging from Bolshevik, proto-fascist and militaristic to modernist and formalist) supported by the avant-garde matrix of Punin’s thought.

中文翻译：

---

在保守革命与布尔什维克主义之间

Rykov的文章在晚期斯大林主义文化的背景下，对尼古拉·普宁（Nikolai Punin）的作品进行了调查，尼古拉·普宁是俄罗斯前卫艺术的主要人物，艺术和文学理论家。与Evgenii Poletaev合着的《反对文明》是一个中心焦点，它设想了极权主义的乌托邦。它还探讨了1940年代初期的文学作品《致MG的信》以及有关19世纪艺术家Aleksandr Ivanov的未完成论文。雷科夫追溯了普宁民族主义修辞学的演变，从他早期参与德国的保守主义革命到对俄国艺术史的本质主义解释。在普宁思想的前卫矩阵的支持下，他还指出了各种各样的话语（从布尔什维克，原始法西斯主义和军事主义到现代主义和形式主义）。