ABSTRACT The aim of this paper is to show how two different paths of elaborating the negativity of self-consciousness in Schelling and Hegel create a particular mirror effect that can no longer be understood within the realm of dialectics or any conceptual image, but rather can be resolved through what I will characterize as the image of self-consciousness. I argue that these two different perspectives, despite exhausting dialectics and negativity, can be brought together, each in its own way, through the images of reflection, desire, and death as presented in the mythic narratives of Narcissus and Orpheus. I attempt to show that the death of Narcissus (in the case of Hegel) and the loss of Eurydice (in the case of Schelling) can lay equal claims to being about the birth of self-consciousness.

中文翻译：

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当镜子破碎时：论黑格尔和谢林的自我意识形象

摘要 本文的目的是展示谢林和黑格尔阐述自我意识的否定性的两种不同途径如何创造一种特殊的镜像效果，这种效果在辩证法或任何概念形象的领域内不再能够理解，而是可以被理解。通过我将描述为自我意识的形象来解决。我认为这两种不同的观点，尽管辩证法和否定性都令人筋疲力尽，但可以通过纳西索斯和俄耳甫斯的神话叙事中呈现的反思、欲望和死亡的形象，以各自的方式结合在一起。我试图表明，纳西索斯之死（在黑格尔的情况下）和欧律狄刻的失去（在谢林的情况下）可以等同于自我意识的诞生。