ABSTRACT This review essay of Shawn Loht’s (2017. Phenomenology of Film: A Heideggerian Account of the Film Experience. New York: Lexington Books) new book, Phenomenology of Film: A Heideggerian Account of the Film Experience, not only offers an ontological reading of the filmic experience inspired by Heidegger’s philosophy but also contributes substantially to the ongoing debate of whether or not film is a medium that is legitimately philosophical. In addition to confronting unique ideas about film that emerge from Loht’s analysis of Heidegger’s phenomenological ontology of Dasein, including a reading of later Heidegger of the “Turn,” this essay also seeks to think with and then beyond Loht in a way that might inspire readers to further pursue these issues in relation to a potentially reconceived understanding of the practice of film-as-philosophy.

中文翻译：

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Die Auseinandersetzung 与海德格尔的现象学本体论：海德格尔对电影体验的描述

摘要 Shawn Loht (2017. Phenomenology of Film: A Heideggerian Account of the Film Experience. New York: Lexington Books) 新书《电影现象学：A Heideggerian Account of the Film Experience》的评论文章，不仅提供了对电影体验的本体论解读电影体验受到海德格尔哲学的启发，但也极大地促进了关于电影是否是一种合法的哲学媒介的持续辩论。除了面对从洛特对海德格尔此在现象学本体论的分析中出现的关于电影的独特想法，包括对后来海德格尔的“转向，