Journal of Historical Geography ( IF 1.031 ) Pub Date : 2020-11-24 , DOI: 10.1016/j.jhg.2020.07.007 Lara Choksey
On June 7th, 2020, the statue of Edward Colston in Bristol City Centre was pulled down by an anonymous group of Black Lives Matter protestors following a global uprising against police brutality in the wake of George Floyd’s murder by Minneapolis police officer Derek Chauvin. This article combines a first-person account of the build-up to the statue falling and its aftermath with reflections on some of the broader debates – historical and current – around public monuments and the transatlantic slave trade, and considers questions of authorship, representation, memory, state violence, and collective life.
中文翻译:
科尔斯顿下降
2020年6月7日,在明尼阿波利斯警察Derek Chauvin谋杀乔治·弗洛伊德(George Floyd)谋杀全球暴动之后,布里斯托尔市中心的爱德华·科尔斯顿(Edward Colston)雕像被一群匿名的黑人生活抗议者推倒。本文结合了对雕像落下及其后果的第一人称解释,以及对公共纪念碑和跨大西洋奴隶贸易的一些更广泛辩论(历史和当前)的反思,并考虑了作者身份,代表权,记忆,国家暴力和集体生活。