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Cotidianidad y conectividad imaginaria: Parodias de una cultura de la imagen en La mano invisible y La habitación oscura de Isaac Rosa
Romance Quarterly Pub Date : 2018-07-03 , DOI: 10.1080/08831157.2018.1492857
Francisco J. Sánchez 1
Affiliation  

ABSTRACT The private sphere is being influenced by fantasies and expectations constructed through cultural commodities. From different perspectives, Jameson and Castells have seen that the growing fusion of economic and cultural spheres of postmodern globalization point not just merely to a geographical expansion, but also to a simultaneous transformation of everyday life. This everyday life is often portrayed by mass media as a permanent representation of the market. This phenomenon pervades recent decades of Spanish society, in which a naturalization of consumerism is tightly linked to a culture of image production. These novels realize a parody of the way the everyday life of individuals affected by the financial crisis is interconnected with the utopian projections of an imaginary connectivity

中文翻译:

Cotidianidad y conectividad imaginaria: Parodias de una cultura de la imagen en La mano invisible y La haha​​bación oscura de Isaac Rosa

摘要 私人领域正受到通过文化商品构建的幻想和期望的影响。詹姆森和卡斯特尔从不同的角度看到,后现代全球化的经济和文化领域日益融合不仅意味着地理扩张,而且还意味着日常生活的同步转变。这种日常生活经常被大众媒体描绘成市场的永久代表。这种现象在最近几十年的西班牙社会中普遍存在,其中消费主义的归化与图像生产文化密切相关。这些小说模仿了受金融危机影响的个人的日常生活与想象中的连通性的乌托邦投影相互关联的方式
更新日期:2018-07-03
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