ABSTRACT Black Panther’s (2018) Afrofuturistic cultural footprint—left by the utopic, fictional African country of Wakanda and its new King, T’Challa/Black Panther—was significant not just for the superhero film genre, but also for the representation of Africa, Black femininity, Black identity, and a mighty and self-sustaining society unimpacted by war or colonization. While the film was praised for its character development, story, and celebration of Black identity, it is not without critique. Much of its success was linked through its impact on/for Black America, ignoring its transnational implications for Africans living throughout Africa and the African diaspora. While nearly half of the African continent practices Islam, the lack of Muslim representation, save for violent imagery, left many questioning the absence of a truly transnational and inclusive African story.

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Wakanda面向所有人：非洲穆斯林对黑豹观点的邀请

摘要Black Panther（2018）的非洲未来文化足迹-由虚构的反常的虚构的非洲国家Wakanda及其新国王T'Challa / Black Panther留下-对超级英雄电影类型和非洲的代表意义重大，黑人女性气质，黑人身份以及不受战争或殖民影响的强大而自我维持的社会。尽管影片因其角色发展，故事和对黑人身份的庆祝而受到赞誉，但并非没有批评。它的成功很大程度上与它对黑人美国的影响联系在一起，而忽略了它对生活在整个非洲的非洲人和非洲侨民的跨国影响。尽管非洲大陆有近一半的人练习伊斯兰教，但除了暴力形象外，没有穆斯林代表，