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Virtual Humanity—Access, Empathy and Objectivity in VR Film Making
Global Society Pub Date : 2019-08-28 , DOI: 10.1080/13600826.2019.1656173
Ciaran Gillespie

ABSTRACT This scene setting considers the meaning of immersive technologies for humanitarian encounters, particularly 360 degree video “virtual reality” film making. Drawing on scholarship on the political economy of technology, aesthetics, affect and visual securitisation, as well as a number of notable deployments of VR films as a tool for NGO and IGO project fundraising, it will consider the interchange between immersion, emotion and action within VR as humanitarian praxis, and what kind of politics this may produce. In particular, the article considers the UNICEF film “Clouds Over Sidra” and the African Parks co-sponsored film “The Protectors” which highlight not only the utility of the technology in creating immersive experiences for audiences and donors but also some of the broader politics of empathy and authorial control arising from a visual technology that purports to allow audiences a more objective “see for yourself” style experience.

中文翻译:

虚拟人性——VR 电影制作中的访问、同理心和客观性

摘要 该场景设置考虑了沉浸式技术对人道主义遭遇的意义,尤其是 360 度视频“虚拟现实”电影制作。利用关于技术、美学、情感和视觉安全化的政治经济学的学术研究,以及 VR 电影作为非政府组织和 IGO 项目筹款工具的一些显着部署,它将考虑沉浸感、情感和行动之间的交流。 VR 作为人道主义实践,以及这可能产生什么样的政治。特别是,
更新日期:2019-08-28
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