ABSTRACT This article theorizes the digital humanities (DH) as a speculative art via a media history of anamorphosis. Anamorphosis, an art technique that warps linear perspective, captures the work of DH because it collocates technical apparatus, scientific examination, and artistic endeavor. The workings of anamorphosis show that repetition and retrospection are necessary procedures for DH. Considering DH from the skewed perspective of anamorphosis allows us to recast DH, situating it within a media history that stretches back into the Middle Ages.

中文翻译：

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数字人文科学作为变形

摘要本文通过变形的媒体历史，将数字人文科学（DH）作为一种投机艺术进行了理论化。变形技术是一种扭曲线性透视的艺术技术，它可以捕获DH的作品，因为它可以与技术设备，科学检查和艺术努力相结合。变形的工作表明，重复和回顾是DH的必要步骤。从变形的歪斜角度考虑DH可以使我们重铸DH，并将其置于可以追溯到中世纪的媒体历史中。