ABSTRACT British writer A. S. Byatt employs alchemical imagery substantially in her Tetralogy. She redefines god as an androgynous being in the four occult narratives, and the four gods represent virginity, life, death, and rebirth, the four stages of an alchemical process, which also symbolize the life stages of the main character, Frederica Potter. The alchemical structure serves at least a double purpose for Byatt. First, she successfully brings her heroine's sex versus intellect conflict into a metaphorical scheme already constructed by Jung. Second, she successfully creates a whole repertoire of female visionaries whose prototypes are crosses between fertility goddesses and alchemical divinities, and by so doing, she underlines the importance of intellectual pursuit for her female artists.

中文翻译：

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四部曲中的 Pavonis 和 Byatt 的女性远见者

摘要 英国作家 AS Byatt 在她的四部曲中大量使用了炼金术意象。她将神重新定义为四个神秘故事中的雌雄同体，四位神分别代表童贞、生命、死亡和重生，这是炼金过程的四个阶段，也象征着主角弗雷德里卡·波特的生命阶段。炼金术结构至少对拜亚特有双重作用。首先，她成功地将女主人公的性与智力冲突带入了荣格已经构建的隐喻方案中。其次，她成功地创造了一整套女性幻想家，其原型介于生育女神和炼金术神之间，通过这样做，她强调了对女性艺术家的智力追求的重要性。