Abstract The definition of ‘museum’ has changed, though some prefer to cling to that of a hundred years ago. The tension between what a museum is and what it does will continue, because the relationships and discourses we build among objects, communities and spaces remain dynamic as those same elements transform. Highlighting certain voices from museology and queer theory, this article tells the brief history of the Museo Q in Colombia. This museum, recognised as such by national cultural authorities, has no walls or extensive collections. Thus, its architecture is sometimes temporal, sometimes itinerant, sometimes transmutable. Considering its particular relationship with time and space, this article imagines a museology in motion, a museology that values emotion, failure, contingency, and movement: a museology in motion for an alternative future.

中文翻译：

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博物馆 Q：动态博物馆学

摘要 “博物馆”的定义已经改变，尽管有些人更喜欢坚持一百年前的定义。博物馆是什么和它做什么之间的紧张关系将继续存在，因为我们在物体、社区和空间之间建立的关系和话语随着这些相同元素的转变而保持动态。本文突出了博物馆学和酷儿理论中的某些声音，讲述了哥伦比亚 Museo Q 博物馆的简史。这个被国家文化当局认可的博物馆没有墙壁或广泛的收藏品。因此，它的架构有时是暂时的，有时是流动的，有时是可变的。考虑到它与时间和空间的特殊关系，本文设想了一种运动博物馆学，一种重视情感、失败、偶然性和运动的博物馆学：一种为另类未来而运动的博物馆学。