Abstract This article presents the LGBT Memory Project and a mapping of institutions currently constructing a Latin American, LGBTQI+ Museology. The need to reflect on the current conjuncture in Latin America is justified in view of the ultraconservative turn in the political and social fields: one that has affected how museums and museology are constructed and conceived of. We understand LGBT Museology as a concept particular to a museology made by LGBTQI+ people from low-income, working-class communities, who are non-white, Afro-Indigenous and/or live in favelas, especially when it is interested in associating museology with public policies from a Queer-of-Colour-Critique perspective, therefore considering sexuality as well as questions of race, economy, colour, and belonging. Finally, we consider that the aforementioned institutions work towards the construction of a museology capable of overcoming the discipline: one historically practiced by the white elites of Latin America, who are generally invested in making LGBTQI+ communities invisible, and oppressing them by means of several forms of epistemological violence.

中文翻译：

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LGBT 记忆项目：拉丁美洲和加勒比博物馆的“色彩批判酷儿”方法

摘要 本文介绍了 LGBT 记忆项目以及目前正在构建拉丁美洲 LGBTQI+ 博物馆学的机构的地图。鉴于政治和社会领域的极端保守转向，反思拉丁美洲当前形势的必要性是合理的：这种转向影响了博物馆和博物馆学的构建和构思方式。我们将 LGBT 博物馆学理解为一个由来自低收入、工人阶级社区的 LGBTQI+ 人制作的博物馆学的特殊概念，他们是非白人、非洲土著和/或住在贫民窟，特别是当它有兴趣将博物馆学与从批评酷儿的角度来看公共政策，因此考虑到性以及种族、经济、肤色和归属感的问题。最后，