Abstract This article examines the role of regionalism in French architecture and design at the 1925 and 1937 International Expositions and the complex interrelationships between industry and handcraft in these fields. Often overlooked, the rise of regionalism and a search for distinctive, geographically-rooted identities worked to dismantle long-established hegemonic trends of cultural centralization that emphasized Paris as the ultimate arbiter for French architecture and design in favor of a more accurate representation of national diversity.

中文翻译：

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1925 年和 1937 年巴黎国际博览会上的工业、工艺、现代建筑和区域认同

摘要 本文在 1925 年和 1937 年的国际博览会上考察了地区主义在法国建筑和设计中的作用，以及这些领域中工业与手工艺之间复杂的相互关系。经常被忽视的是，区域主义的兴起以及对独特的、扎根于地理的身份认同的探索，消除了文化中心化的长期霸权趋势，这种趋势强调巴黎是法国建筑和设计的最终仲裁者，有利于更准确地代表民族多样性.