Abstract Revisiting an archive of women’s voices talking about the reasons they create work using photography, reveals more than just the questions asked, the topics discussed, and the words spoken, but whose narratives are being told and who is missed. Each photographer has a different story to tell, but they are all linked by gender and tenacity. Some were drawn to using photography as a political tool, others to find a new language to interpret the world around them, still others as social commentary. All the interview extracts are from my archive of artist interviews that now number over 1,600 and which I began twenty-five years ago. From the 96-year-old Dorothy Bohm to the New Zealand feminist Alexis Hunter, who sadly died in 2014. From Violeta Bubelytė working in Lithuania to the German photographer Steffi Klenz working in Britain, from the African American Nona Faustine and her personal interrogation of black history in New York to Haley Morris-Cafiero and her engagement with Fat Shaming and the Internet.

中文翻译：

---

快进和快退：女性摄影师的心声

摘要 重新审视女性谈论她们使用摄影创作作品的原因的声音档案，揭示的不仅仅是提出的问题、讨论的主题和所说的话，而是讲述了谁的叙述和错过了谁。每个摄影师都有不同的故事要讲，但他们都因性别和坚韧而联系在一起。有些人被吸引到使用摄影作为一种政治工具，其他人寻找一种新的语言来解释他们周围的世界，还有一些人作为社会评论。所有采访摘录都来自我的艺术家采访档案，现在有 1,600 多份，我在 25 年前开始了这些采访。从 96 岁的 Dorothy Bohm 到 2014 年不幸去世的新西兰女权主义者 Alexis Hunter。从在立陶宛工作的 Violeta Bubelytė 到在英国工作的德国摄影师 Steffi Klenz，