Abstract When the illustrated newspaper was “invented” in 1842, festivals soon became prime content for the young Illustrated London News. Presenting festivals from home and abroad, illustrated papers were full of images and descriptions of spectacle in motion – including spectacular architecture and people. What was the relationship between the crowd and the building, in word and image, and how did it relate to the role architecture played in the public sphere? This article argues that the increasing plasticity of the text, alongside the rising dominance of the image, turned printing from a static into an interactive medium. The page transformed from a surface into a space that could capture figures and buildings in flux. As styles multiplied in the age of historicism, text and image in the Illustrated London News provided an immersive, yet highly controlled, experience of the metropolis and its events.

中文翻译：

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人群与建筑：伦敦新闻早期插图中的潮流

摘要 当插图报纸于 1842 年“发明”时，节日很快成为年轻的伦敦新闻画报的主要内容。展示来自国内外的节日，插图纸上充满了运动奇观的图像和描述——包括壮观的建筑和人物。人群和建筑之间，在文字和图像上是什么关系，它与建筑在公共领域所扮演的角色有什么关系？本文认为，文本的可塑性越来越强，图像的主导地位越来越高，使印刷从静态变成了交互式媒体。页面从一个表面转变为一个空间，可以捕捉不断变化的人物和建筑物。随着历史主义时代的风格成倍增加，伦敦新闻画报中的文字和图像提供了一种身临其境的、