Abstract This article accompanies a visual essay that re-views Georges Perec’s 1974 book Species of Spaces through a series of collages inspired by its most important chapters related to architecture and city. The overlapping of these two scales, the domestic and the urban, invites us to read the spaces of our lives as interior stages and the city as a “big house,” necessary for the expression and representation of ourselves and our communities. The article situates the technique of collage within Perec’s own creative approach, reflecting on its capacity to find a balance between analytical description and poetic suggestion, between reality and invention, between abstraction and memory.

中文翻译：

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空间话语的碎片与愿景：重看乔治·佩雷克的空间物种

摘要 本文附带了一篇视觉文章，通过一系列拼贴画重新审视 Georges Perec 1974 年出版的《空间物种》，其灵感来自与建筑和城市相关的最重要章节。这两个尺度的重叠，家庭和城市，邀请我们将我们的生活空间视为内部阶段，将城市视为“大房子”，对于我们自己和我们的社区的表达和表现是必不可少的。这篇文章将拼贴技术置于佩雷克自己的创作方法中，反思其在分析性描述和诗意暗示之间、现实与发明之间、抽象与记忆之间找到平衡的能力。